In terms of Deleuze and Guattari, I felt that we may have
belabored the a-dialectical point a little in an effort to get somewhere beyond
it that we didn’t really reach. So where were we trying to go with this?
For one thing, I think the question of dialectics helps us
understand the linguistic delirium that marks D&G’s collaborative writing.
I think of their approach to language as a reversal of Wittgenstein’s concept
of language as the “vehicle of thought.” This conjures the image of a vehicle
transporting ideational signifiers from one person to another along a route of
communication.
D&G’s writing style seems an effort to schizophrenize this
dialectical, representative approach to language to break its linguistic
restraint on thought—to think beyond language. So we start with Wittgenstein’s
little Monopoly car (This seems fitting because Wittgenstein writes of “language
games”) moving from Point A to Point B. And then the car falls into a
Lyotardian “differend,” the abyss between the signified and signifier, perhaps
also between speaker and listener (“Arrive-t-il?” he asks). And then I think that
we get D&G just exploding the little car in an eruption fireworks or
something else along the lines of an 80’s-era “car falling off a cliff” action
scene.
Moreover, D&G suggest a connection between capitalism
and the “theater of representation” implicit in Oedipus. Yet… instead of
suggesting that the proletariat will advance to a dictatorship (that seems suspiciously
similar to that of the bourgeoisie), there is a sense of movement in the
opposite direction—an idea of becoming-minor.
Like D&G, Negri attempts to articulate something that
Marx might have said himself. Negri posits antagonism as a relationship
different from dialectics. This seems to differ from the Hegelian dialectic only
in that it fails to synthesize. The emphasis on transition seems to resonate
with D&G, and the emphasis on work calls to mind Bataille. I don't have any finished thoughts or conclusions for you as yet-- just starting to position Negri in terms of a few other Marxist writers at this point...
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